Tulsa Jazz.Com’s National Artist Spotlight: Terri Lyne Carrington

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GRAMMY® award-winning drummer, composer and bandleader Terri Lyne Carrington was born in 1965 in Medford, Massachusetts. After an extensive touring career of over 20 years with luminaries like Herbie Hancock, Wayne Shorter, Al Jarreau, Stan Getz, David Sanborn, Joe Sample, Cassandra Wilson, Clark Terry, Dianne Reeves and more, she returned to her hometown where she was appointed professor at her alma mater, Berklee College of Music. Terri Lyne also received an honorary doctorate from Berklee College of Music in 2003.

After studying under full scholarship at Berklee, with the encouragement of her mentor, Jack DeJohnette, Carrington moved to New York in 1983. For 5 years she was a much in-demand musician, working with James Moody, Lester Bowie, Pharoah Sanders, and others. In the late ‘80s she relocated to Los Angeles, where she gained recognition on late night TV as the house drummer for the Arsenio Hall Show, then again in the late ‘90s as the drummer on the Quincy Jones late night TV show, VIBE, hosted by Sinbad.

In 1989, Carrington released a GRAMMY®-nominated debut CD on Verve entitled Real Life Story, which featured Carlos Santana, Grover Washington Jr., Wayne Shorter, Patrice Rushen, Gerald Albright, John Scofield, Greg Osby, and Hiram Bullock. Other solo CDs include 2002’s Jazz is a Spirit, which features Herbie Hancock, Gary Thomas, Wallace Roney, Terence Blanchard, Kevin Eubanks, and Bob Hurst, and 2004’s Structure, a cooperative group which features Adam Rogers, Jimmy Haslip and Greg Osby. Both CDs were released on the Europe-based ACT Music label and enjoyed considerable media attention and critical acclaim in the European and Japanese markets.pick-em-terri-lyne-carringtons-money-jungle-provocative-in-blue-for-best-instrumental-jazz-album-grammy

Carrington’s production and songwriting collaborations with artists such as Gino Vannelli, Peabo Bryson, Dianne Reeves, Siedah Garrett, Marilyn Scott have produced notable works as well, including her production of the Dianne Reeves GRAMMY®-nominated CD, That Day, as well as Dianne Reeves GRAMMY® Award-winning CD, Beautiful Life, in 2014.

Carrington has performed on many recordings throughout the ‘80s and ‘90s thru today. Notable examples of her work include Herbie Hancock’s GRAMMY® Award-winning CD Gershwin’s World, where she played alongside Joni Mitchell and Stevie Wonder. She has toured in many of Hancock’s musical configurations (from electric to acoustic) and is featured on his Future2Future DVD.

After a hiatus from the U.S. recording scene as a solo recording artist, Carrington returned in 2008 with More To Say… (Real Life Story: NextGen). Joining her was an impressive all-star cast of jazz and contemporary jazz instrumentalists, including George Duke, Everette Harp, Kirk Whalum, Jimmy Haslip, Greg Phillinganes, Gregoire Maret, Christian McBride, Danilo Perez, Patrice Rushen, Robert Irving III (who also serves as co-producer), Chuck Loeb, Dwight Sills, and legendary vocalists Les McCann and Nancy Wilson.

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Carrington released The Mosaic Project in 2011, her fifth recording overall and first on Concord Jazz. The critically acclaimed CD, which won a GRAMMY® Award for Best Jazz Vocal Album, gathered a myriad of voices and crystallized them into a multi-faceted whole that far outweighed the sum of its parts. She produced the 14-song set which included some of the most prominent female jazz artists of the last few decades: Esperanza Spalding, Dianne Reeves, Dee Dee Bridgewater, Sheila E., Nona Hendryx, Cassandra Wilson, Geri Allen and several others. Carrington said the emergence of so many great female jazz instrumentalists over the last couple of decades is what made an album like The Mosaic Project possible.

In 2013, Carrington released Money Jungle: Provocative in Blue, her much anticipated homage to Duke Ellington, Charles Mingus and Max Roach, to coincide with the 50th anniversary of the release of their iconic 1963 Money Jungle album. The recording featured Gerald Clayton and Christian McBride, with guests Clark Terry, Lizz Wright, Herbie Hancock and others. Carrington made history when she became the first woman to win a GRAMMY® Award for Best Jazz Instrumental Album.81oinPR-VUL._SL1500_

On August 7, 2015, Carrington released The Mosaic Project: LOVE and SOUL. Like its predecessor, the album presents Carrington leading a rotating cast of superb female instrumentalists and vocalists that includes Oleta Adams, Natalie Cole, Paula Cole, Lalah Hathaway, Chaka Khan, Chanté Moore, Valerie Simpson, Nancy Wilson, Jaguar Wright and Lizz Wright, as well as saxophonist Tia Fuller, trumpeter Ingrid Jensen; bassists Meshell Ndegoecello and Linda Oh; and keyboardists Geri Allen, Patrice Rushen and Rachel Z.

On The Mosaic Project: LOVE and SOUL, Carrington juxtaposes her salute to female artists by paying homage to various male artists who have either influenced her professionally and/or informed her musicality, such as Nick Ashford, George Duke, Duke Ellington, Frank Sinatra, Luther Vandross and Bill Withers. “Whenever I do something that celebrates women, I never want it to feel like it’s something that excludes men,” she explains. “On this record, I consciously wanted to celebrate the various relationships women have with men either through original songs of mine or cover songs by male composers and song writers.” The male presence and perspective on The Mosaic Project: LOVE and SOUL is even more realized by Billy Dee Williams, who contributes insightful spoken-word interludes through the disc.

More About Terri Lyne Carrington:

Website: http://www.terrilynecarrington.com/

Facebook: https://www.facebook.com/TerriLyneCarrington

Twitter: https://twitter.com/tlcarrington

Instagram: https://instagram.com/terrilynecarrington/

Tulsa Jazz Music Group Website: http://www.tulsajazzmusicgroup.com

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Angie Cockrell and Mike Leland Performing at Bluestone Steakhouse and Seafood

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These shows are a Tulsa Jazz Music Group Production.

Date/Time:

Wednesday August 12th 2015  6 pm to 9 pm

Thursday August 13th, 2015  6 pm to 9 pm

Location: 10032 S Sheridan Rd, Tulsa, OK 74133

Phone: 918-296-9889

Angie’s Website: http://www.angiecockrell.com/

Angie’s Facebook Pagehttps://www.facebook.com/angiecockrellmusic

Bluestone Steakhouse Website: http://www.bluestonesteakhouse.com/

 

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“White Linen Night” in Broken Arrow’s Rose District

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White linen was the traditional clothing in the South during hot summer months back when most people did not have air conditioning.  We want to capture the down-home, small-town feel of a traditional Southern Block Party right here on Main Street!

White Linen Night in Broken Arrow’s Rose District is patterned after a similar event in the French Quarter district in New Orleans where residents come out dressed in their finest white linen to see local art.  The event is open to the general public with no admission fee, live jazz performances  provided by TulsaJazz.Com and the Tulsa Jazz Music Group!

So, put on your white linen (or white cotton) and join us for some good family fun!

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Broken Arrow’s Main Street Merchants Association is committed to further enhancing our popular White Linen Night, so that all ages can enjoy a fun and festive night in Downtown Broken Arrow, to truly make it a neighborhood-wide celebration. Visitors will be treated to a fun atmosphere including local artists, local musicians, and local businesses in the Rose District.

Additional Event Information:

White Linen Night in B.A. Rose District

Day/Date: Saturday August 15th 6 pm-10 pm
Contact: Gregory Bridges
Location: 114 S. Main Street, Broken Arrow, OK 74013
Phone: 918.630.4832
Email: rosedistrict.whitelinen.night@gmail.com

Live Music Provided By The Tulsa Jazz Music Group 

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Jerome Dabney Performing at the Oklahoma Jazz Hall of Fame.

Cynthia Simmons web sm (1)Dear Jazz Hall Friends,

My Oklahoma Jazz Hall of Fame tribute to Ella Fitzgerald-originally scheduled for this Sunday-has been moved to next Sunday, November 16. I’m recovering from an unfortunate bout of laryngitis, so Jerome Dabney and the Dean DeMerritt Jazz Tribehave graciously stepped in to take over this Sunday’s show.

Vocalist Jerome Dabney–headlining his first Jazz Depot performance–has been delighting audiences all over the world for the last thirty six years, as he has performed on stage, in film, on world tours, and aboard cruise ships. Dabney performs alongside the Dean DeMeritt Jazz Tribe, featuring Scott McQuade on keys, Wade Robertson on drums, and DeMeritt on bass.

To enjoy the jazz, call Bettie Downing at (918) 928-JAZZ or purchase your tickets online. Members and Seniors enjoy discounted ticket prices at $10.00 each. General Admission tickets are only $15.00, or $20.00 for Reserved Table Seating. High school and middle school students admitted for only $5.00.

Yours in jazz,

Cynthia Simmons

 

 

“MR. MOTOWN” SET TO PRESENT AN EVENING OF JAZZ CLASSICS AT THE JAZZ DEPOT

          Last month, Tulsa’s Jerome Dabney celebrated 30 years as a cruise-ship performer. And as he’s sung for those crowds over the past three decades, the entertainer known in the cruise industry as “Mr. Motown” has made quite a few adjustments to his repertoire.

“It’s really been one of those evolving situations,” he explains. “When I first started, I was doing a tribute show – not impersonations, but tributes to the music of Nat King Cole, Sammy Davis, Frank Sinatra, Tony Bennett, those artists. And then as the years passed, the audiences changed, and now there are a lot of really big Motown fans out there. I would say that in two years, if you’re going to be an entertainer in the cruise industry, it might be your best bet to do a lot of disco-type stuff. The people who have the time and money to cruise are usually older people, so you want to be able to appeal to the majority of your crowd.”

For the past decade or so, both on sea and on land, Dabney has done a lot to earn that “Mr. Motown” tag – which, he notes, is “a monicker one of the cruise directors I worked with gave me, and it kind of stuck.” Over the past decade, he’s toured internationally with Tribute – A Salute to the Temptations, branching out from Las Vegas to dates in England, Japan, and South America, as well as other spots around the globe. He also does a regular Motown show, a Stevie Wonder show, and, in 2012, toured Asia with the World Famous Platters, playing dates in the Philippine Islands and Singapore and appearing on a cruise ship in Malaysia.

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Sunday, however, Mr. Motown becomes Mr. Standards, as Dabney returns to the music he began performing on ships back in the mid-’80s.

“What I plan to do on Sunday are the traditional jazz standards,” he says. “I was talking to Dean DeMerritt the other day, and I was telling him there are a lot of jazz tunes out there that are quote-unquote `jazzy-jazzy’ – like `Spring Can Really Hang You up the Most.’ That’s a jazzy-jazzy song; your jazz connoisseur is going to know that song, but someone who just enjoys jazz music may not. I don’t think a lot of effort is being spent on the basic jazz standard. When’s the last time you heard someone singing `Misty’? So I told Dean, `I’m just going to offer up as many classic standards as I possibly can.’

“The show I do now is called An Evening of Motown Classics,” he adds. “But this show is going to be An Evening of Jazz Classics. I have a Nat King Cole medley I’m going to offer, and some of the really basic standard songs: `Satin Doll,’ `Misty,’ `Tenderly.’ I’ll do a couple of `jazzy-jazzy’ songs, too.”

“Tenderly,” in fact, was the tune that brought DeMerritt and Dabney together. As DeMerritt remembered it, he and guitarist Frank Brown were hosting a jazz jam session in the Centennial Lounge of Tulsa’s VFW Post 577. It was July, and DeMerritt had just returned to his native Tulsa after spending several years on the Atlanta scene.

“We saw this guy who was intently listening to us play, and then he came up and said, `I’d love to do “Tenderly” with you,'” remembers DeMerritt. “We thought, `If he wants to do “Tenderly” here, in this VFW hall, we’d better go ahead and let him do it.’ And from his first chorus, we both knew he was something special.”

In addition to DeMerritt on bass, Sunday’s Dean DeMerritt Jazz Tribe lineup includes Scott McQuade on piano and Wade Robertson on drums.

“I went to the jam session at the Jazz Depot about a month ago on a Tuesday evening, and I did one or maybe two songs,” says Dabney. “But this will be my first time on the main stage. I’m really looking forward to it. It’s going to be great.”

An Evening of Jazz Classics with Jerome Dabney and the Dean DeMerritt JazzTribe is set to begin at 5:00 p.m. Sunday, November 9, at the Oklahoma Jazz Hall ofFame, located in downtown Tulsa’s Jazz Depot, 111 East First Street.

Tickets can be purchased in advance online at JazzHallTickets.com or by calling Bettie Downing at 918-928-JAZZ (5299). General admission is $15, reserved table seating $20. Seniors and Jazz Hall members are admitted for $10, and high school and junior high students for $5.

The show is a part of the Jazz Hall’s 2014 Autumn Concert Series.

 

The Oklahoma Jazz Hall of Fameis a 501(c)(3) non-profit cultural and educational organization, with a mission to inspire creativity and improve the quality of life for all Oklahomans through the preservation, education, and performance of jazz, our uniquely American art form.

The Oklahoma Jazz Hall of Fame

 

 

 

 

LAST SOUTHERN GENTLEMEN TOUR WITH DELFEAYO & ELLIS MARSALIS

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See them at the Jazz Eureka Festival, Eureka Springs, AR  Saturday September 13th performance starts at 8 pm!

“The Last Southern Gentlemen” is a landmark recording for Delfeayo Marsalis, pairing father Ellis Marsalis, Jr. with son on a collaborative album for the first time. Marsalis’ finest outing to date, the superb recording quality and meticulous production showcase his brilliant, classically trained tone as it swings effortlessly through standards and original compositions. The music is relaxed, thoughtful and provocative, acknowledging the love and respect of all people shared by Louis Armstrong and most early jazz entertainers.

Delfeayo Marsalis is one of the top trombonists, composers and producers in jazz today. Known for his “technical excellence, inventive mind and frequent touches of humor” (Leonard Feather, Los Angeles Times), he is “one of the best, most imaginative and musical of the trombonists of his generation.” (Philip Elwood, San Francisco Examiner.) Born in New Orleans on July 28, 1965, Marsalis was destined to a life in music. “I remember my dad (Ellis Marsalis) playing piano at the house, and me laying underneath the piano as a child, listening to him play. After briefly trying bass and drums, in sixth grade I gravitated towards the trombone, which was an extension of my personality. Early on my influences and inspirations included J.J. Johnson, Curtis Fuller, Al Grey, Tyree Glenn and Tommy Dorsey.” Marsalis attended the New Orleans Center for Creative Arts high school, was classically trained at the Eastern Music Festival and Tanglewood Institute, and majored in both performance and audio production at the Berklee College of Music.delfeayo marsalis

Marsalis is an exceptional trombonist who toured internationally with five renowned bandleaders. “Art Blakey taught me a lot about patience and how to construct a solo. My compositions are influenced by Abdullah Ibrahim’s harmonies. Slide Hampton inspired me with the relaxation that he displays in his trombone playing along with his command of the instrument. With Max Roach, I learned that I had to be on top of my game every moment. And Elvin Jones, who I worked with for seven or eight years, taught me about humanity, expressing myself through my instrument, and how to keep time without relying on other players.” During a tour with the Lincoln Center Jazz Orchestra, he was filmed as part of the Ken Burns documentary, Jazz and he was an integral part of Marsalis Family: A Jazz Celebration, a DVD that assembled all of the musical Marsalis’ for the first time and was featured on PBS.ellis marsalis 02

As the father of some of New Orleans’ most renown musicians, Ellis Marsalis started his musical journey in junior high school at the age of 11. Graduating from Dillard University with a degree in Music Education, Ellis went on to play with the Corps Four, a Marine Corps’ jazz quartet that appeared on CBS television and radio nationally. Ellis returned to New Orleans after completing his Corp duties, where he married Dolores Ferdinand. Together they raised six sons, Branford, Wynton, Ellis III, Delfeayo, Mboya and Jason. Moving to the country just outside New Orleans, Ellis became a school band director for a couple of years, but soon returned to The Big Easy to become a free-lance musician. He performed at all the top clubs, and soon got teaching jobs, including twelve years as an instructor at the New Orleans Center for Creative Arts. He eventually became the Chair of Jazz Studies at the University of New Orleans, retiring in 2001.

In January 2011, the Marsalis family (father Ellis and brothers Delfeayo, Branford, Wynton and Jason) earned the nation’s highest jazz honor – a National Endowment for the Arts Jazz Masters Award.

2014 Jazz Eureka Festival in Eureka Springs, Arkansas, Sept 9 to Sept 14

Jazz it up in Eureka Springs During Jazz Eureka

The annual Jazz Eureka festival will take place in Eureka Springs from Tuesday, Sept. 9 to Sunday, Sept. 14. The exciting week-long event will feature live music, delicious food and exciting attractions and events.fayetteville-jazz-collective

The Fayetteville Jazz Collective, an 18-piece big band, will perform on Friday, Sept. 12 in The Auditorium at 36 S. Main St..   The FJC, under the direction of Ben Harris will present new, original material.  The show starts at 7:30 p.m. and tickets are $12.

The Last Southern Gentlemen Tour brings two members of America’s jazz dynasty to The Auditorium.  Jazz legend Ellis Marsalis, Jr., along with his son, Delfeayo Marsalis, will headline the festival, appearing at 8 p.m. Saturday, Sept. 13.  This tour marks the first time the father and son have performed and recorded together on a project. Ellis Marsalis is the premier, modernist jazz pianist of New Orleans and the patriarch of the Marsalis family, father of jazz musicians Wynton, Branford, Delfeayo, and Jason Marsalis.Delfeayo-and-Ellis-345x290

The tour’s album, “The Last Southern Gentlemen,” features standard and original compositions and is “relaxed, thoughtful and provocative, acknowledging the love and respect of all people shared by Louis Armstrong and most early jazz entertainers.”

Tickets to the show range from $25 to $47.50 and are on sale now for both Auditorium shows at www.theauditorium.org.

Free, outdoor concerts of jazz music will be presented in Basin Spring Park on Spring Street as well.  On Friday evening, trumpeter Rodney Block will perform a free concert beginning at 5 p.m. and lasting until 7 p.m.

On Saturday, there will be more music in the park all afternoon with Matt and Gus Smith, Brandon Mezzelo, Walter Savage and Northeast State University Jazz All Stars, featuring Tommy Poole, from noon until 6 p.m.tommy poole 1

New events have been added for Jazz Eureka 2014.   On Tuesday, Sept. 9, The Writers’ Colony at Dairy Hollow, located at 515 Main St., will host The Speakeasy from 7-9 p.m.  Food and drinks will be served and admission is $10.   For reservations, call 479-253-7444 or email director@writerscolony.org.

Wednesday evening, a Great Gatsby-style lawn party with live jazz music, games, food, fire dancing and a performance by Intrigue Theater will take place at the gardens of the Crescent Hotel at 75 Prospect St. from 7-10 p.m. Admission is $10 and light hors d’oeuvres will be served. For more information, call 479-253-9766.

Saturday morning, the White Street Farmer’s Market, located in the Ermilio’s parking lot at 26 White St., will present “Jazz at the Market” with music from Bossa Screwnova and J Funk from 9:30-11:30 a.m.

Saturday evening, art galleries on Main and Spring streets will be open late for their monthly Second Saturday Gallery Stroll, with jazz music, art and refreshments from 6-10 p.m.

After the Marsalis concert on Saturday evening, DeVito’s at 5 Center St. is hosting the Jazz Martini After Party. Beginning at 9 p.m., there will be live jazz, food and drinks, including a special “Marsalis Martini.”

Sunday September 14th, the Crystal Dining Room at the Crescent Hotel will have a Sunday Jazz Brunch from 9 a.m. to 3 p.m. with a Jazz trio and dancing from 1 p.m. to 3 p.m.  Adults are $24.95, children ages 5-12 are $9.95 and 4 and under are free.

For further information, visit www.jazzeureka.org or call 479-253 7333.

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NSU Jazz Ensemble featuring Scott McQuade at The Oklahoma Jazz Hall of Fame

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As far as first-call saxophonist and Northeastern State University director of jazz studies Tommy Poole is concerned, his contemporary Scott McQuade  is a great example of “the perfect working musician.”

It’s not surprising at all that Poole, another busy Tulsa-area performer, is in a position to make that evaluation. The two of them, he says, have “played together countless times, in countless configurations – I don’t know if I’ve played a lot of pop music with him, but we’ve done a lot of straight-ahead jazz and traditional New Orleans-style jazz together, all kind of jazz stuff.”

McQuade, he notes, “just has so many skills and is able to do so much.”

“He can arrange music. He can read anything. He knows any song that you might call out,” explains Poole. “He can play in any style. He can play with a rhythm section, he can play by himself, or he can play in a duo format, walking bass with his left hand and playing chords with his right hand, or playing bass with his right hand and soloing with his right. He’s just got so many skill sets. It’s really good for my young musicians to see someone like that.”Scott McQuade2

Sunday, Poole’s young instrumentalists in the NSU Jazz Ensemble will not only be seeing and hearing McQuade. They’ll also be performing with him. Or, rather, he’ll be performing with them.

“Scott will be playing from the piano chair of the Jazz Ensemble,” says Poole. “The NSU Jazz
Ensemble is going to play by itself, with no guest artists, for the opening song of each half of the concert. Then, beginning with the second song through however many songs we do each half, Scott McQuade will sit at the piano chair.”

Poole adds that he himself will be playing on “one or two numbers,” including an arrangement of Duke Ellington’s “Take the `A’ Train” by Rob McConnell, known for his work with the Boss Brass band in the ’70s and ’80s. And three other guest players, he says, plan to be coming along with the 17-piece NSU Jazz Ensemble Sunday.

“Two of them are friends of mine from the Tahlequah area who play great trombone: Dr. Chuck DeShong and Orien Landis,” says Poole. “Chuck used to teach English at NSU – he’s retired now – and Orien is a band director at Tahlequah High School. And then we have Jim Masters, who’s a trumpeter. He graduated with a music degree from NSU a couple of decades ago – a very, very good trumpet player.”

All of these performers will be turned loose on a repertoire that leans heavily toward classics of the big-band era, including “All of Me,” the Duke Ellington standard “In A Mellow Tone,” and Buddy Rich’s arrangement of “Love for Sale.”

“Then I’m going to throw a curve ball with `Time Remembered,’” says Poole. “`Time Remembered’ is a composition of the great pianist Bill Evans, and it’s a beautiful song. That one is probably the most complex chart we’ll do the whole night.”

Sunday’s playlist also includes “Jive Samba,” composed by Nat Adderley, who played coronet and trumpet alongside his saxophonist brother, Cannonball Adderley, for years.

“They led one of the most influential hard-bop jazz quintets of all time,” notes Poole, “and that song was one of their hits.”

tommy poole12Poole, who’s been in charge of the NSU Jazz Ensemble for the past five years, is exceptionally bullish on this year’s version of the big-band styled group.

“I’ve got a lot of great students, a lot of great improvisers in the band,” he says. “You’re going to hear them get up and play some really good solos. This band is rock-solid, and they get excited about coming up and playing the Jazz Hall of Fame. It’s always a great crowd that comes out, a warm audience and a really fun audience.”

The NSU Jazz Ensemble, with guests Scott McQuade and Tommy Poole, is set to

begin at 5 p.m. Sunday, April 6, at the Oklahoma Jazz Hall of Fame, located in downtown Tulsa’s Jazz Depot, 111 E. First St. Tickets can be purchased at the Depot, from www.myticketoffice.com, or by calling Bettie Downing at 918-281-8609. General admission is $15, reserved table seating $20. Seniors and Jazz Hall members are admitted for $10, and high school and junior high students for $5.  Refreshments will be available for purchase.

The show is a part of the Jazz Hall’s 2014 Spring Concert Series.

The Oklahoma Jazz Hall of Fame is a 501(c)(3) non-profit cultural and educational organization, with a mission to inspire creativity and improve the quality of life for all Oklahomans through preservation, education, and performance of jazz, our uniquely American art form.

 

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